Painting an Autumn Tree from A Summer Reference Photo

'Ready for Fall'             16x20           pastel        ©Karen Margulis click here to purchase  $175

 Fall has arrived in North Georgia.  The air is crisp and cool and the leaves are slowly changing into their autumn garb. I love this time of year.  I even splurged on the most amazing pumpkins ever. I can't wait to paint them!

My awesome pumpkins

So when I finished this tree demo for my Wednesday night class I felt the pull to make it into an Autumn landscape.  I put on my 'What if?' hat and asked myself ...."I wonder what would happen if I made this tree into a red tree?  How would I do that?"

The tree was fine as a green tree. But I am over green! So I went through my photo files and found a picture of a red tree and another of some fields in Fall colors. (this is a benefit of taking thousands of photos!) See the photo below for the original tree and photo along with the new reference photos.

The original demo featuring a Summer landscape with a green tree

• The first thing I did was test the red pastels on my tree to see if I liked what was happening. I decided that it was a go. There would be no turning back....after all it is only paper. By the way I am using a sienna color piece of Canson.

• Since I am using Canson I am limited to the number of layers I will be able to put down so I give the tree and the field a light spray of workable fixative. I liked the sky as it is so I didn't spray it. Now it will be easier to add more layers of pastel. I also like the texture the fixative gives.

• I work on the big tree first. I want to be sure to keep  the light in the painting consistent. So I basically follow the light and shadows already in the tree. I used a cool dark brick red for the tree shadows. I use a warmer red in a middle value for the rest of the foliage. Where the light is hitting some of the leaves I use a warmer orange red. (go warm instead of light to get the illusion of sunlight)

• I like the peeks of green from the original tree color. It makes the red more intense as well as making it look like the tree is actually changing color.

• Next I need to work on the field. It is much too green for the red of the trees. So I use some ochres and yellows to tone it down and give the grasses more of an autumn feel. 

• I decide to tone down the path and make it a bit more subtle.

• Now that the path is merely a suggestion AND the tree so intense the painting feels unbalanced. There is nothing on the right side to balance the weight of the big red tree. So I added a smaller bush on the right. 

• Now I had to break up the field in the mid to foreground. I didn't want it to be a big flat area. I made some directional strokes sloping down towards the path. I also took some of the pale yellow ochre in the distant field and put some behind the tree and bush to add another layer.

• I went back to the big tree and added some branches and refined the skyholes.

• Finishing touches: I decided to add some of the whitish-yellow wildflowers that I have been seeing everywhere this Fall. I tried not to overdo them and just merely suggest them.